(I did not realize that I still had 2 blogs active on the old Blogger format, this is a post from about 7 years ago that I found on there, I’m going to rip a few of those old posts and place them here then deactivate my old blog, I can’t say I still stand by this post in particular but maybe I will finally finish my series analyzing each of these films)
For the Seventh entry in my list of the Ten Greatest American Films I have chosen Notorious.
In recent months I really feel as if the quality of my posts has gone down. Not that they were ever of a remarkably high quality but they used to be better than they are now. Some of my passion has left me because of stress and my life becoming more focused on family matters, work etc. Blogging doesn’t seem very important right now and neither does film. But I still really enjoy both so I press on.
On this particular film I feel even less passionate. At least to write about it. I feel very strongly about the quality of this film. It is one of my all time favorites. But that’s part of the problem. To me this film speaks for itself, to watch it is to see how brilliant it truly is. And because this is a very under watched film now a days I don’t want to spoil any surprises so I will keep this post short.
This is Hitchcock’s greatest film. Vertigo is a very close second (Shadow of a Doubt is maybe third) but I think this film wins out because ultimately Notorious expresses everything that is great about Hitchcock more succinctly, less pretentiously, and the film is more entertaining as well. Of course ranking Hitchcock is difficult in any case because he made so many masterpieces that are highly influential and very enjoyable to this day. But my gut has always told me to go with this one.
On that note this also happens to be one of Cary Grant’s finest performances. I’m not sure if I’ve ever seen him deal with such a challenging performance. He doesn’t have a great deal to actually do in the film but whenever he does something it works perfectly. The same goes for Ingrid Bergman. This is probably her greatest performance. Her character is much more complicated than in Casablanca, though possibly not more so than Gaslight, but what is required of her is more intense and ultimately more moving than either of those films.
In many ways this is a film about one thing: sex. Honestly, at the height of Code Era Hollywood this film is very unapologetically about sex. The title itself refers to Ingrid Bergman’s character. She is Notorious for her promiscuous lifestyle and that is ultimately what causes the main movement of the plot. Everything else is pretty much dressing. This movie is a complicated and realistic love story which is set within a very dramatic Hollywood genre: the spy film. Love, sex, redemption, and spies. It has pretty much everything you could ever want from a movie which is why I also happen to think that this is the greatest film ever made. I put it above Casablanca, Citizen Kane, et al. I mean not high above anything else, just above by a small degree.
But I don’t want to give away anything else. This film is too overlooked nowadays and everyone should see it and love it. I hope you do and do too.